Index

Economy

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March 24 at 11:00 AM — March 24, 2018 at 7:00 PM,
Track Academy

Track_9
Setting the stage: work

Mit Beiträgen von ROBERT PASCHMANN (Trainer in Politischer Bildung, Hamburg), ALINA SCHMUCH (Künstlerin, Berlin), NINA LUCIA GROß (Kunsthistorikerin, Hamburg), ALIX FAßMANN (Journalistin, Berlin)

Event
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November 25, 2017 — February 11, 2018

GALERIE BRD
"I'm not here to make friends"

An exhibition by GALERIE BRD
with contributions by KATJA AUFLEGER, JOHANNES BENDZULLA, CARSTEN BENGER, FORT, PHILIP GAISSER & NIKLAS HAUSSER, THORBEN MÄMECKE, DORIT MARGREITER, STEFAN PANHANS, MORITZ SÄNGER, NICOLAAS SCHMIDT, PILVI TAKALA
Exhibition
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September 16 at 6:00 PM — September 16, 2017 at 10:00 PM,
COPS, Track Academy

Track_5
Decoded Situations - Media Conversions

With contributions by CORPORATION OF PEOPLE'S SITUATIONS (COPS), CARL GERBER (screenplay writer and dramaturge of performance), STEFAN HEIDENREICH (Writer, art and media scientist), JASNA L. VINOVRSKI (Performer and choreographer) a.o.

Event
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Saturday, January 14, 2017 at 2:00 PM,
Track Academy

Track_1
Divided World: International circulation, practices of mobility and the production of the city

Die Reihe „Track Academy“ umfasst ein diskursives Programm mit Formaten aus Wissenschaft, Kunst und Vermittlung. Durch eine zeitliche und räumliche Verdichtung von Veranstaltungen werden kommunikative Situationen angeboten, die Aneignungen von Handlungsräumen sowie die Aktivierung von spezifischem Wissen ermöglichen. Die Themen der „Track Academy“ leiten sich aus den Ausstellungsprojekten des Kunstvereins im Programm 2017 ab und adressieren Herausforderungen unserer Gegenwart von Digitalisierung und Vernetzung über Urbanität und Stadtentwicklung bis zu Migration und Diversität.

Event
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November 4, 2016 — February 12, 2017

CHRISTOPHER KULENDRAN THOMAS
60 million Americans can’t be wrong

For his exhibition at KunstvereinHarburgerBahnhof, Christopher Kulendran Thomas presentsNew Eelam, a startup founded by the artist to develop a global housing subscription based on collective ownership. Together with his founding partners, Thomas proposes a long-term strategy for how a new economic model could evolve, without friction, out of the present system – through the luxury of communalism rather than private property.

Exhibition
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Tuesday, November 1, 2016,
text

60 Million Americans can't be wrong

Christopher Kulendran Thomas’ family is from a place that no longer exists. For three decades during the Sri Lankan civil war, Eelam was self-governed as an autonomous state led by a neo-Marxist revolution. But this uprising was crushed in 2009 by an authoritarian government protected by the cloak of national sovereignty.

Material
Sunday, October 9, 2016,
text

ALIX RULE
& DAVID LEVINE
International Art
English

"The internationalized art world relies on a unique language. Its purest articulation is found in the digital press release. This language has everything to do with English, but it is emphatically not English. It is largely an export of the Anglophone world and can thank the global dominance of English for its current reach. But what really matters for this language – what ultimately makes it a language – is the pointed distance from English that it has always cultivated."

Material
May 24 — May 25, 2014

Reading von CHLOE STEAD

Beeinflusst von Anaïs Nin, die erotische Erzählungen für private Sammler für einen Dollar pro Seite schrieb, interessiert Chloe Stead, inwiefern die Erwerbbarkeit und der Moment des privaten Vorlesens Intimität hervorrufen können.

Event
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April 14 — May 6, 2007

wir sind wieder wer (we're are somebody again)
Group exhibition


Exhibition