Annette Hans (interim)
Project Coordinator Track Academy
Nina Lucia Groß
The Kunstverein Harburger Bahnhof is conceived as a forum for the critical investigation of the results of current artistic production. It supplements the programmes of museums and galleries, which have their own specific agendas and functions. These institutions represent various tendencies in national and international art production and on the respective art markets, covering a spectrum which is rounded out by the Kunstverein Harburger Bahnhof.
The Kunstverein Harburger Bahnhof pursues an independent exhibition concept deliberately focussing on the experimental art of the twenty-first century. Its intention in doing so is to provide persons interested in art the opportunity to experience an artistic programme whose continuity is founded in innovation. It moreover offers artists a chance to investigate new contents and forms beyond the boundaries of the established art world, and to present them to a broad public.
At the beginning of the twenty-first century, old answers and solutions no longer suffice. The industrial society’s pillars of success have begun to sway. There has been a general loss of orientation; people sense that traditional formulae are no longer capable of restoring order. The balance between individual freedom and social security a culturally robust and future-oriented basis for society.
In a situation like this, the correct solution is not to create a »formed society«, but to generate an atmosphere of openness. It is then vital to have spaces for observant reflection and people who do not bemoan the ineffectiveness of old rules but help to shape new visions. The Kunstverein Harburger Bahnhof is one such place for innovation, for pursuing new paths to new goals. This is not about validating what is past but about creating a contemporary framework for identity and a consensus on cultural aims. At the same time, the artists’ creativity provides opportunities for reassessment, recontextualization and renewal.
Art that is provocative opens up new perspectives.
For this reason the Kunstverein Harburger Bahnhof is an essential destination for lively minds. With their sense of commitment, artists provide encouragement for change. Both personally and in their art works they stand as examples of internationality and intermediality. They come from different countries, they have worked and lived in many different parts of the world, they work in three dimensions, paint and draw, photograph and film and use the latest digital media in producing their art. They combine music, dance, theatre and the visual arts in crossover projects. They are on the path to the future.
The Kunstverein Harburger Bahnhof works in conjunction with all elements within society that share these ideas and objectives. It counts on the cooperation of innovative companies and individuals who make appropriate contributions to support the work of the Kunstverein Harburger Bahnhof.
Version agreed by the Board of Directors,
Hamburg, 1 November 2005
17 years Kunstverein
Founded in 1999 by local artists Udo Dettmann and René Havekost, the Kunstverein Harburger Bahnhof is located directly in the Hamburg-Harburg Station above tracks 3 and 4. There, on a floor area of approximately three hundred square metres in the impressive spatial facilities of the former first-class waiting room with its historical coffered ceiling, contemporary art is on display.
Following an initial focus on painting, exemplified by such events as the major Franz Gertsch exhibition in 2000, the Kunstverein programme gradually evolved under its various curators, Wilhelm Figger, Nina Möntmann, Mathias Güntner and Ulla Lohmann. Increasingly, efforts were undertaken to present developments in contemporary art of a wide range of media, and to address theme-related issues of artistic production. Group exhibitions such as "Eigene Systeme" (2002), "Plattform Taubenstrasse" (2003), "Selbstporträt/Identität" (2004), or "Pflanzendialoge" (2006) testify to these activities.
In January 2007, Tim Voss – at that time the Kunstverein’s new artistic director, now (since 2008) the holder of this position jointly with Britta Peters – brought about yet another shift of focus in the institution’s exhibition practice: at the core of the exhibition cycle "Reihe:Ordnung / Series:Order" was the endeavour to represent interventions by contemporary artists and artist groups into themes of relevance to society – for example work, love, money, sex, power, liberty and future (the terms which served as the subtitles of the seven exhibitions realized in the cycle) – not with a selection existing works, but by making these interventions directly experienceable in complex exhibitions.
In 2010, under the direction of Britta Peters and Marie Luise Birkholz and in colaboration wiith Anna Goetz, the focus is on the expansion and contextualization of the exhibition activities with the aid of the books, photos, texts and information to which the public has access in the Kunstverein’s "Magazine". At the same time, through the production of publications of its own with the exhibiting artists, a wide range of synergies are being triggered at the Kunstverein. The artist books published here will become part of our collection, where they are guaranteed use by an interested public. Moreover, with these publications, the exploration of the artistic approach introduced in a given exhibition can be continued in another place and form.
From 2011 to 2013, the Kunstverein was under the curatorial direction of Isabelle Busch and Franziska Solte who attended a more international program. This was reflected, i.a. in her inaugural exhibition "Is This Where It Ends?" by Sunah Choi and Haroon Mirza. However, the connection to local artists was not lost: In the exhibition series „Am Piano" (2012) young artists from Hamburg were invited to develop Cabinet exhibitions. Accompanying each exhibition movie nights took place in the cinema designed by Jesko Fezer.
Anna Sabrina Schmid has been the programme director of the Kunstverein Harburger Bahnhof since 2014. Under her direction, the Kunstverein’s long-term collaboration with many international artists has led to several solo exhibitions and new productions. The Kunstverein Harburger Bahnhof not only hosts exhibitions; it also offers a space where artists can rehearse and work on their productions. Our focus lies on works with conceptual, spatial, and performative approaches, with a special emphasis on elements of sound. Thus, our collaboration with artists like Kasia Fudakowski, Hannah Weinberger, and Ruth Buchanan includes the production of an artist’s record, instead of an exhibition catalogue. Because this has become one of the main features of our programme, a temporary space for audio releases was developed in the gallery together with Nguyen Phuong-Dan. In this large phonographic library with the title Recordings, visitors are invited to explore the material collection of historical and current works recorded on a variety of media.
The program of Lisa Britzger and Jennifer Smailes who run the Kunstverein since March 2016 assumes the Kunstverein as a space which - as part of the system of art - integrated in various social structures. With the means of art the use, benefits and social effects of artistic practices for politics, science or economy are tested. Urgent issues of our presence such as migration, urban planning and the question of future cohabitation as well as everyday and invisible effects of globalization and its consequences are examined in projects that integrate collaborative, entrepreneurial, creative and communicative approaches artistically and reflect these issues back into the social space.
Artistic directors 2016-2018
Lisa Britzger, Jennifer Smailes
Artistic director 2014-2016
Anna Sabrina Schmid
Artistic directors 2011-2013
Isabelle Busch, Franziska Solte
Artistic directors 2010-March 2011
Britta Peters, Marie Luise Birkholz
Artistic directors 2007-2009
Britta Peters, Tim Voss
Tim Voss, Britta Peters, Marie Luise Birkholz
Veit Rogge, Tim Voss, Susanne Schröder